• About
  • .
  • The Gradients first (and second) appearance
  • Shimmer cabinet
  • Weaver, the first appearance
  • Alter Mirror
  • Tenets of Warawana Mythology
  • The lithic, the liminal and the lines that bind
  • Waratah Lamps
  • Transformation of Weaver
  • Other Places - Drawers
  • Other Places - Mirrors
  • Weaver cabinet
  • Ode to Waratah
  • Our Edges Are Mist
  • cross-section of time, map of wonder - brass
  • The Other Is More Same Than Different
  • Weaver's cloak (ceremonial)
  • cross-section of time, map of wonder and the egg of a wren
  • Place
  • the world is made of relative
  • Stitchfield
  • Tones of Shimmer
  • The Moment Always Passes
  • Wren collection
  • between stars and quarks
  • Otherescope
  • Strata Stratum Stratus
  • Artifact [work in progress]
  • Anerle-aneme
  • Coolgardie Line
  • Imanka Inthurra. Lyaartinya-ntama
  • Akeyulerre Story Blocks
  • Urban Billy
  • Uti Kulintjaku
  • Decennia Chair
  • Melody Fence
  • Amber
  • Patchwork Tiles
  • What colour is the sky
  • Alice Desert Festival
  • Ngapartji Ngapartji
  • Ipomoea Sofa
  • Two-way
  • The Lichen
  • Mycelium Pendant
  • Catalogues
  • Menu

Elliat

Designing mythologies for the Oscillocene
  • About
  • .
  • The Gradients first (and second) appearance
  • Shimmer cabinet
  • Weaver, the first appearance
  • Alter Mirror
  • Tenets of Warawana Mythology
  • The lithic, the liminal and the lines that bind
  • Waratah Lamps
  • Transformation of Weaver
  • Other Places - Drawers
  • Other Places - Mirrors
  • Weaver cabinet
  • Ode to Waratah
  • Our Edges Are Mist
  • cross-section of time, map of wonder - brass
  • The Other Is More Same Than Different
  • Weaver's cloak (ceremonial)
  • cross-section of time, map of wonder and the egg of a wren
  • Place
  • the world is made of relative
  • Stitchfield
  • Tones of Shimmer
  • The Moment Always Passes
  • Wren collection
  • between stars and quarks
  • Otherescope
  • Strata Stratum Stratus
  • Artifact [work in progress]
  • Anerle-aneme
  • Coolgardie Line
  • Imanka Inthurra. Lyaartinya-ntama
  • Akeyulerre Story Blocks
  • Urban Billy
  • Uti Kulintjaku
  • Decennia Chair
  • Melody Fence
  • Amber
  • Patchwork Tiles
  • What colour is the sky
  • Alice Desert Festival
  • Ngapartji Ngapartji
  • Ipomoea Sofa
  • Two-way
  • The Lichen
  • Mycelium Pendant
  • Catalogues

Elbow Workshop
8 Hele Crescent
Alice Springs, NT
Australia

 
If you look closely there’s two people reflected in the blue Alter Mirror… points for guessing who!

This piece available as an open edition. (But prices will go โ˜๏ธ)

Alter Mirror in blue. So dreamy and intriguing and sentient and presen
These bottles are highly cherished as they are said to hold a hair from the Weaver. While their content remains unsubstantiated, there are diverse and colourful accounts of the trials undertaken to collect this hair and the transformation required to
Woah. Cover๐Ÿ˜ฑ with @canberraglassworks 

All matter are creating equal

“Portals are simply any door or gateway that leads to another area. Pathways into new environments or scenarios.

Many of the artists in this issue use this theory or actua
Not sure I’ve got an image that quite captures the textural tones of the Waratah lamps. The interplay of light and shadow through the gently sandblasted layers of fluted glass is … a little dreamy. 

Made with @hannahgason Tom Rowney and
๐“๐ž๐ง๐ž๐ญ๐ฌ ๐จ๐Ÿ ๐—ช๐š๐ซ๐š๐ฐ๐š๐ง๐š ๐ฆ๐ฒ๐ญ๐ก๐จ๐ฅ๐จ๐ ๐ฒโฃ
โฃ
At the core of any organised culture there are rules or values. Three tenets sit at the bedrock of Warawana mythology;โฃ
โฃ
๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ช๐˜ด ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆโฃ
๐˜ข๐˜ญ๐˜ญ ๐˜ฎ๐˜ข๐˜ต๐˜ต?
These pieces weren’t a part of the picture when I first started my residency at @canberraglassworks but with the right support, space and skill they soon emerged. Originally I was going to cut them in half and make the two halves wall-mounted,
@lindylee.13 x @nationalgalleryaus + cosmos = Ouroboros
What a night. Still buzzing from all the energy and presence of so many wonderful humans. Thank you to those that could and did make it, being able to share the world of Warawana makes it real๐Ÿ’–

To @digitaljalanjalan, holy moly. I can’t tell y
๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ช๐˜ด ๐˜ฒ๐˜ถ๐˜ฆ๐˜ฆ๐˜ณ, ๐˜—๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ช๐˜ด ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต 

In any instance you occupy poly-temporal time-scales. These include time at a ‘you’-scale ‘this moment’, time at a species-scale ‘cultural practice’, time
๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ช๐˜ด ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ

… it is always the relation that allows ‘beingness’. Consider how it is not the individual but the combined effort of entities; quarks, atoms, molecules, that allows for the ma
all matter are creating equal
Glass, stone, brass, copper, leather, timber, steel 

If we can suspend the devaluing that happens in the sub and conscious process of othering of anything that is other-than-human we can get glimpses of a planet alive w